Avril Has a Jacket

Long overdue is a proper cover for Avril, my longarm, but she will wait no more.

This is my project for October's challenge, thread painting.

All of the fabrics except for the lining fabric were supplied by Island Batik. The gorgeous threads were supplied by Aurifil, except for the grey which is my own purchase, the batting by Hobbs Batting, and the machine needles by Schmetz Needles. Our challenge was to enhance our quilting or shade areas of quilt for effect, add shapes or dimension. Several months ago we had to pick six spools of thread to coordinate with the line we'd been given for this challenge. Mine was Nouveau Soul by Kathy Engle, some of which you saw last month in my Back at Ya backpack. We'd been given the same line to make our bag.

Shine: Benartex Christmas in July Blog Hop & Pattern Release

Welcome to my stop on the Christmas in July blog hop with Benartex Fabrics. I had the pleasure of working with Nancy Halvorsen's newest line, Better Not Pout.

As with most of my quilts, this one has a little story to it. It is my own design, and yes, there is a pattern for it, and yes, it is available today!

I tried for a bit of a Christmas vibe against our neighbours' cedars and trumpet vine and other vines-covered fence. Christmas isn't snowy and cold in a lot of the world, right? Christmas is about gifts, and so there is a giveaway in this post...

Fly High!

I am so pleased to have this long-awaited UFO done and checked off the FAL List. It's been on that list for over two years!

The block is one by Deb Tucker, called Migrating Geese. I followed this tutorial, making it as one of my RSC 2017 projects, but doing my own layout. Each month I made one row of the geese.

Fallen Sky

If I were a James Bond aficionado, I guess I would have changed the name of my quilt to Skyfall. But I'm not, and he doesn't put me in mind of a piece of sky, which this quilt, along with the gemstone turquoise, both do. Funnily enough, when searching the gemstone for quilt name ideas, I came across a few references to a piece of the sky fallen to earth, but this one, "carved from an azure heaven and slipped to earth," I particularly love, as it's so eloquent.

This is the October challenge for us ambassadors for Island Batik. We were to make a quilt using a paper-piecing technique, either English paper-piecing or foundation paper-piecing. This one is made using the latter. All the fabrics (except the backing) were supplied by Island Batik. All of the threads except the purple was supplied by Aurifil, and the batting is Hobbs Batting, though I purchased it myself!

A Quilting Motif and A Longarm Technique

As you know, I'm working on quilting the Cows quilt. I have four heifers left, a few churn dashes and the barn. Well, I also have to finish the other half, or two-thirds more like it, of the border.  As is usually the case when I quilt a quilt, I have a very, I mean very, vague quilting plan in my head.  Once the quilt is loaded, it starts to talk to, sometimes whisper to, sometimes cajole, me.  Such was the case with this one.  I had no idea how I was going to quilt the churn dash blocks, also known by several other names, including Hole in the Barn Door. Most à propos for this bovine bedcover. Once loaded on the frame, I had an idea...

"What the heck?"  you're probably thinking, or maybe, "Ooh, love that fabric," or even, as Tish said when I sent her the yellow cow all quilted, "Those swirls are awesome!"

Here is how you quilt this block in one pass, ditch stitching and all! AND this can be done on either a longarm or a domestic machine! Use a ruler or your walking foot.

1. Start here. ('well duh')
2. Stitch to point 2 (probably still, 'well, duh,' but just in case...) the centre of the inner 'box'
3. Stitch a square in the centre of the purple rectangles, which in my case, for this 12" block, is 1" in from the seam line. Go all the way around until you wind up back at point 2.
4.  Stitch out to point 4.
5. From point 4 stitch another elongated 'v' shape (we're doing dot to dot à la Angela Walters in case you haven't noticed) ending at point 5.  Which is really point 1. 😉
6. Stitch in the ditch (aka SID) over to point 6. Note my attempt at dotted lines to indicate SID!
7. Stitch in to point 7, which is the top right corner of the box you stitched in step 3.  Repeat from step 4 for all four corners of the block, ending back at point 1!

Then I SID along a floral seam line to an inside corner, stitched in the ditch all the way around the inner square, and did the swirl filler in there, then went back out again and continued the swirl filler for the background around the outside. I'm using Superior Threads So Fine colour 403 which blends nicely with both background and all the churn dash blocks.

A LongarmTechnique for Continuous Quilting

About a year, maybe more, ago, a reader asked if I could explain how I advance, then back up, then advance a quilt on the longarm. This was when I was doing Dayna's quilt, Shoot for the Moon, and trying to get as long a pass as I could at some of the intricate designs on her quilt.  I found myself doing this for the outer border design for this quilt.  I am self-taught, other than watching online videos and Craftsy classes by Leah Day, Angela Walters, and Natalia Bonner, oh and Jamie Wallen Youtube too, and none of them talk about this, so it's just me. If you think that "GASP! This is just not done!" well, I do it, and it works fine. 😁

For the top section of border, it was easy to start on the left side of the quilt, about 15" down from the top left corner, quilt up to the corner, across the top border, and down to the same starting point on the right side of the quilt. I did the border after I'd quilted the first row of cows and churn dash blocks, so I advanced the quilt and continued down the border for another 15" or so (I have an 18" Avanté). This meant I could quilt longer without breaking thread.

1. So now I am at the point where I have quilted two more rows of cows and churn dashes and I want to do more of the border. First stitch in the ditch between the border and the background of the quilt. Also stitch 1/4" in from the outside.

2. Next, advance the quilt, and SID as you just did. You can see I was able to stitch all along the red churn dash and about half way into the barn block. Do this SID on the border on the opposite side of the quilt as well.

3.  Then, back up to where you started the ditch stitching (first pic).  At first when I wound the quilt backwards, I freaked because the quilt sandwich, in its entirety: top, batting and now backing, got wound up on the belly bar!

Yikes! I thought something bad would happen...but it didn't!  So starting at the point where I was in photo 1, I switch now to my mauve thread, and continue the border motif over the course of that length of the border, advance the quilt to photo 2 spot, and continue doing the border up to being level with the barn.  I'll stop there.

4. Then I go over to the opposite side, in this case the left, back up the quilt again to the photo 1 spot, but on the left side of the quilt, and pick up where I'd left off on that border, quilting down until I'm level with the barn block.

The barn block is in the bottom right corner, so once I've finished quilting the last two rows of the quilt, I'll be able to pick up the border motif about the level of the bottom of the barn roof, quilt down to the bottom right corner and across the bottom, and back up to meet where I left off on the left side of the quilt!

It's not as wonderful as doing the border in one continuous pass like you can with a DSM or sit-down quilt machine, but you can get fairly lengthy passes.  And it is wonderful not to have the weight of the quilt to manipulate through the machine.

Having a dedicated quilting machine means I can still piece if I feel the urge...

Blocks 103-105. Clockwise from top left: 103: Helen Smith Grant - Captain of her husband's ship when he took ill, she navigated rom China to Montreal in the mid-1880s, as well as taking care of her children. The family settled in Victoria, BC, where, in 1895, Helen became the first and only school board trustee in Canada. 104 - Lois Irene Smith - Canada's first and foremost ballerina, idolized by Karen Kain, she established the Lois Smith Dance School in Toronto. 105: Helen Irene Battle - first woman in Canada to earn a PhD in marine biology. I used a fish print for one of the centre background triangles and a shell motif embossed on an ivory fabric for another.

I made block 106 this morning, so as of writing this post, I am only two blocks behind in the 150 Canadian Women QAL!  I aimed for one block a day this past week, and I've done it, so if I can keep that up this coming week, I should be all caught up by next weekend. Yay! I also worked on a couple of my RSC 2017 projects, which I'll show you in another post.

Linking Up
Cooking Up Quilts
Free Motion by the River

Freefall Quilt Along Step 5

Woo hoo!  We are HERE!  Some of you are all, 'been there done that' because you've got your tops all sewn up, but here is the official final step to assemble the 25 blocks into a flimsy along with some quilting ideas.

Here is Freefall, in flimsy form.  Tish based her colouring page on this layout, which is also downloadable from my Craftsy store (affiliate link) for free.

I stand before you to say do not follow this layout to a 'T'.  Yup.  I've said this in several places here on the blog and in the PDFs to note where three of my leaves point together.  Not good because there are so many seams coming together there and it makes for a bit of a lump when you quilt over that area.

Here is the Windfall layout as a flimsy:

Complete with a Bella bum.

You can tilt your leaves any which way you like, even the H1-3 leaves can be in various places as long as the shadow leaf 45-degree lines are correct.

Moral of the story: don't be seamy, be free, and tilt away! 😁

As for assembly, you may want to try my 'Book It' method, which I almost always use for assembling quilt tops. Basically you sew the quilt blocks in columns, chaining each column together as you sew pairs together.  This quilt has an odd number grid, so you'd have two columns of 'books' and then one column of singles.  I learned this way back when I did colourwash quilts and I had many 2" blocks to keep in exact orientation.

Quilting

I don't know about you, but every since I bought my first quilt magazine, or quilt book, and came to the 'Quilting' part of a quilt pattern, I got supremely upset and disappointed to read the phrase, "Quilt as desired."  I get a little happier when I read these days, "Sandra quilted flowing lines with echoes, and swirls in the background.  She quilted straight lines across the shadow leaf, treating it as a separate entity from the background, and ignoring the leaves that fall on it. She also quilted some ghost leaves in the background areas."

I get really ecstatic when I get a drawn diagram or a photo that shows the quilting!

And when I get closeups to study.

This was after the shadow leaf had all the straight lines quilted. And okay full disclosure: I had no clue was not totally sure what I was going to do in the background!

Freefall was quilted on my Bernina.

I went with quite large swirls, 3/8-1/2" spacing, echoes and of course a ghost leaf

Windfall was quilted on Avril, my HandiQuilter Avanté.

Windfall got a border of ribbon candy around the shadow leaf after I did several straight-line echoes of the shadow leaf

Each leaf that was in the background got its own design.

Feathers, with contrasting thread

Leaf veins with matching thread

More leaf veins

And some got dot to dot work and elongated figure eight and continuous curves.

Threads

Freefall was done entirely with one colour of thread, probably my favourite one for blending in with multiple fabric colours, Aurifil 2600.

Like my Bernina, Avril likes pretty much any thread I've used on her, from cotton to polyester to rayon, various brands and weights.
For Windfall, I used Essential cotton, Isacord polyester, Floriani rayon and Aurifil cotton.

So there.  I hope I've made you ecstatic, and given you ideas. This quilt is quite a graphic design, so you could do straight lines across the entire top; alternatively, you could do wavy 'organic' lines across its top.  I wanted to define the shadow leaf from the background when I planned my quilting.  You can use whatever threads you and your machine prefer.

You have exactly one month, that is until June 15, what would have been my dad's 91st birthday, to get your quilts assembled into tops if you haven't already done so, and then quilted up and bound ready for the final parade and prizes!  To see a list of the prizes, go here and here and here.
There are 4 fabric prizes, a copy of the book Crafted Appliqué, and 8 pattern prizes!

Again, I cannot say it enough: THANK YOU!! 😘😘😘😘😘😘😍😍 for taking a chance on a blogger doing her first quilt along, to my sponsors for being so agreeable to offer prizes, and to my followers for quilting along with me...even though, sadly, I did not quilt along on a third version - YET - with you due to IRL circumstances.  It means so much that you've done this, and I hope you've had fun and that you are pleased with your quilts! I know I am blown away (ha, pun not originally intended) by the beautiful falling leaves quilts I've been seeing!  I cannot WAIT for the parade in a month!  If you fell behind, not to worry (ha, been there done that, am there NOW with my own damn QAL oops, haha) you have a full month to get it together for the parade and be eligible for prizes.

Linking up
Cooking Up Quilts

Sunday Stash Share

I know, I know, it's supposed to be computer-free Sunday in my world, but I haven't posted since Tuesday, and I do have a purchase from a Canadian, no less, quilt store, to share, as well as my (somewhat limited) progress on the star quilt.  And it's morning somewhere...maybe Hawaii?!

After hearing good things about Sew Sisters from Lorna at Sew Fresh Quilts, I signed up for their newsletter.  Well, two months later, I made my first purchase.  They have a special on right now until July 1 or while supplies last, on the charm pack, Oh Canada! from Stonehenge for $5.  Um, that's amazing, even in the US, but for Canada?  Pretty much unheard of.  So, of course, I couldn't just order a charm pack and pay another $5 to ship it; I had to add something, right?  And I do not have a patriotic quilt...yet.  Gasp.

So I went to their sale section, where fabric is $7.99/metre.  That works out to $7.38/yard.  Translate our CA$ to the US$ at the current rate of approximately 25% and you get $5.90 US/yard, decent, especially for Canada.  I was looking for backings, and did a whoop! whoop! when I found the cows fabric, "Farm Chic" by Wyndham Fabrics.  It's been a while (like 3 months) since I paper-pieced another cow, but have no fear, the 3 cows I have so far gaze/graze contentedly at me from my design wall, and yes, I am adding to the herd very soon, following the colour of the month at So Scrappy.  This was a good score, so I bought 4 metres, aiming for a roughly 60" or so quilt for my aunt.

The "Purses Galore" fabric from Michael Miller was another I bought with a bag in mind, be it makeup, or lunch, graball, what-have-you, probably for my daughters.  Girls can never have too many bags, and makeup bags are right at the top of the list in their worlds.  It was also in the sale section; I got the minimum 1 metre.

Shipping was $8.99, which I thought wasn't bad for Canada.  Had it been fabric.com, I'd have got my shipping free, since they ship free for orders over $35.

I have a post coming with more price comparisons, just have to sit down and write it.  I have spent hours and hours on the computer over the past few days, working on my grandson's movie from his trip here last September, and I'm so close to having it ready to burn to DVD...which means it could still be another couple of hours' work.  Disappearing soundtrack credits was the last glitch, and I'm hoping I can fix that somehow in iDVD.  Anyhow, long convoluted and frustrating story (I need to make more iMovies so I remember how to work the damn programme from year to year and update to update, lol; ya I'll get right on that) but the movies I've made for him are, if I do say so myself, freaking fantabulous, and he and Brianne watch them over and over.  Heck, I myself have rewatched them more than a couple of times!

Glitches.
So the Blue Ribbon Star quilt (what do you think of that name?) is progressing slowly because of me being an airhead and not adjusting the tension when I switch from a near-empty bobbin to a brand new full one, or forgetting, or plain just not paying attention to, what direction the feathers are going on the outer borders...

feathers along the top edge, a design I pinned on Pinterest

I am having trouble, well was--I think I have a handle on it now--with the background.  More when I show you the finished quilt, and I'll explain.  I am also having a long-fought battle, which I am losing, with two very bad "bobbles" as I quilt.  I am positive it has to do with where the table sections join, but the machine is like possessed, and grabs, or takes a hard left kind of thing, and (insert very bad word) there goes my petal, or feather or swoop or what-have-you.  It also is not quite level at the left end; the carriage slides towards me and to the left, so that should be an easy fix to level the table, but this bobble is driving me literally to tears.  Any thoughts are most welcome.  I have gone on the HandiQuilter troubleshooting, and googled "bobble in my Avante" (bahaha and that got me some car chassis and track info and YouTube video!!)

Here are two of the six stars' designs:

Angela Walters again--ha! not planned but it's visible on her book cover you can see here

Lots of ruler work, which is good for me.  I know I don't spend enough time with Avril; hope to experiment this coming week with some scheduling ideas I've got.

Thanks to Judi and Judy here: Judi Madsen for her design, which Judy at Quilt Paradigm sent me

I shall persevere!

Linking up to the effervescent Molli Sparkles for Sunday Stash, whose post, interestingly, is about rulers among other things, and Confessions of a Fabric Addict for Can I Get a Whoop Whoop?

Quilting Floral Dreams

I was hoping to have a finish for today, but not quite.  Ah well, this should work out for TGIFF for tomorrow then!  this is Cynthia's of Quilting is More Fun Than Housework, June Scrap-a-Palooza quilt.

This is my first edge-to-edge design that is not a meander.  It was a little tricky.  The design itself flowed easily, two of my favourites: spiral and feathers.  Covering the quilt top evenly did not flow as easily!

Erk! An unquilted gap.

And another:

Guess I'll be going back in with my Bernina.  I caught several as I went, but when I looked at the back as I did my second roll-up, I found another gap I'd missed.  Ugh!  It's hard because the fabrics flow together so well, the thread (a rayon again) blends so nicely, both of which create the effect I wanted, but it's hard on the eyes as far as seeing where to go next, as well as seeing where you missed!

Nearly done. 

Here is a shot of the back:

It's a brushed flannel backing.  It will make for a really soft quilt.  I love how the design shows up so well!

This evening I sat down on the downstairs couch for a break.  I had immediate company, purring merrily.  Consequently my break went a little longer than anticipated!

I should have a finish for you tomorrow!  This one will be going in the boutique at our September Quilt Show.  It will be for sale through my blog though too.  Don't all jump at once now...