All right, a quick recap: this pattern, by Sandi Irish is in a magazine I picked up in a package of older ones at the Sarasota Quilt Guild's show a couple of years ago. It's McCall's Quick Quilts, June/July 2012. You can purchase the pattern from Sandi's website here. You can read two posts about the quilt top, the first half on the design wall here, and the finished flimsy at the bottom of the post here.
Here is the flimsy which I did finish by the end of 2017, but posted on Jan. 1.
|Inside lighting, again not good to show off the glow of the aquas and limes|
This is a pattern where I actually folded the magazine open to its picture because I loved it so much. It has sat beside my sewing machine on the two-tiered rolling toolbox since we got back from Florida at the beginning of April. I so wanted to make this quilt, and didn't want to forget about it! Many other events happened between it and the dawn of Myra's Splash of Colour QAL. When I saw that, I knew instantly that I was going to join in, and what pattern I was going to do. After all, I had collected black and white, and white and black fabrics for a little over two years, and it was TIME.
When it came to quilting it, I toyed with the idea of doing ribbon candy in the turquoise and lime squares, but then soon realized that would be a tad fussy, possibly involved changing threads, working into the centres to do a little meander, then back out again...I needed fast. There are a few commitments and deadlines looming. Besides the fabrics and design is what needs to sing on this quilt!
|Part of the photo shoot was actually IN the rain...and wind, sigh. It flipped over a corner, but I didn't retake the photo because it shows how well the backing goes with the front!|
I have long loved Angela Walters' swirl and hook design, and still didn't feel totally comfortable with it; some of the hooks looked more like a beak, some like a wing of hair that sticks up from having slept on it funny, others drooped like a wet flag...well it wasn't that bad, but you get the picture. Since this quilt was going to be mine, all mine, why not do an all-over swirl and hook meander to practise this motif? So I did. I think I have it down pat now.
What colour to use was quite perplexing. White was too stark on the black prints, and black thread on the white much the same. Grey? Off-white? I unfurled a few threads on the quilt top, and it was Essential 'Parchment' that really seemed to blend the best. Avril loves Essential 100% cotton thread from Connecting Threads. So off we went. The only issue was that it was extremely hard on the eyes to see where I'd quilted on the white, as well as on one black sewing-themed print, which has white stitches on it! I may have quilted over a little bit of the hooks or swirls once or twice, but no matter; I didn't rip. I am confident it will sink in wonderfully. Why? Because...
I used flannel on the back!
The fabric is also from Connecting Threads, (affiliate link) a steal of a deal in their clearance section a little while back, and I bought all they had left, which, as you can see in the photo above, was not quite enough for this quilt. It is thick and fuzzy and washed up nicely. I may have smiled and said, yesss! when I took it out of the dryer to finish air-drying. I always pre-shrink flannel when I use it as a backing; learned that the hard way... but I still love and use that first flannel-backed quilt, as does Brady his baby quilt which is still on his bed today, along with others. Love that child and his love of my quilts. Anyhow, when I was looking through the shelf of yardage for potential backings, and spied this, I may have actually said aloud, 'Oh yes!' Then, after realizing there wasn't quite enough, and feeling a bit disappointed, I was super happy to look through my flannel leftovers plastic drawer and find a fat quarter of the other green that matches so well.
Here is the write-on label and my mmm! quilts label:
The binding 'meh': I sewed the binding to the front of the quilt, turning it over to the back, intending to hand-stitch, as you read, but then needing to be faster. I was going to stitch in the ditch from the front, as I prefer to do when I machine-stitch a binding down, catching (and missing in usually more than one or two spots) the back. I don't like that the back looks like a drunk person stitched it down, sometimes the stitching lying nicely along the folded edge, other times, being too far in and leaving a bit of a lip at the edge. So I thought I'd glue it down (still can't get over that I do this now, and love it; you can teach an older dog new tricks!) and try stitching from the back so that the edge is nice and neat as you see above, and I was guaranteed not to stitch like a drunkard ha. It irritated me that there would be a line of stitching on the front of the quilt though, and what colour to use in the bobbin to try to blend with black and with white? I opted for Aurifil 2600. The line is still a little bothersome, but, like the crossed-over quilting in a couple of spots (that I haven't been able to find again huh!) I figure it will sink in with the first wash. It already isn't irritating me as badly as I thought it would, when my nose was 8" away from it as I stitched.
Hard to see the texture on the front, and on the back the thread sinks in, but here is one, trying to catch some natural (grey) light on it:
Here is the rolled up shot trying to get as many of the six binding fabrics together. Overnight, the little snow we had left in the yard has gone except for patches here and there. The bad news? The temperature is dropping throughout the day so it will be freezing rain. I'd rather have the snow thank you.
|Five are visible here; the sixth is a strip of the main green in Freefall 😄|
I also love that a few 'vintage' fabrics play so nicely with newer ones. Again in the photo above, the ocean-themed turquoise looks awesome against the lime green (so old I can't even recall the name of this fabric, but it is much like a batik, but it isn't, kind of fuzzed-out marbled. One of the turquoises, the water-themed one you see at the bottom of the above photo, in the binding is an old one, and goes perfect with the brand new Masterpiece Mixers by Kanvas.
Below there's an wonderful old, no a vintage zebra print that I got thinking it might work as a background or blender in kaleidoscopes, but have never used. It's nearly all gone now. The turquoise inside it is a Nancy Crow ombré from early 2000s. There's some from my nephew Callum's quilt: 'Cleta', and bike tracks prints. There is a bit of the coolest white and black Christmas print, (look for the reindeer head and torso) that is the lining from Dayna's stocking, more meaningful turquoises and greens, new and old.
And below you see another Nancy Crow water (fabulous!) print beside a lime batik from The City Quilter in NYC, which itself rests on a fabulous batik used in Brianne and Tim's wedding quilt. There's even a bit of Brady's Halloween quilt, the bats print, Paris, cats, sewing machines, all add to the 'mmm!' feel I have when I look at this quilt.
And finally, another....sigh.....menopausal moment. I pulled the quilt out after the last stitch was sewn down on the binding. Thought to take one more look at the magazine photo to see how closely this resembled it... Wait. WTF.... No.... Yes. Big breath.
There must be a reason why my mind did not remembe,r nor think to read the pattern again once the blocks were being made and the flimsy was coming together on the design wall... I could say that 'this is a more modern look, no borders', similar to Angela with her tongue in cheek descriptions of the quilting motifs she does on certain quilts, "Well," in a snooty voice, "the reason I did swirls was to soften the effect of all the straight lines piecing, juxtaposing the angles with the curves..." . Eye roll. Nope, I messed up. Period. But I'm okay with it and I love the quilt as is. Took it downstairs and fluffed it out on my bed. Ahhh.
Besides.... Preeti voiced what I'd already thought a while back, "Wouldn't this look great with pinks and oranges floating on the blacks and whites?" I do have a fair amount of blacks and whites left... and thus, the scraps continue to reproduce!
I am linking up with Myra at Busy Hands Quilts for the Splash of Colour parade of finishes! Check out that link for some lovely quilts. This is also a quilt on my Q1FAL List which is here.
Pattern: Split Decision by Sandi Irish
Size: pre-quilting 54.5 X 72.5"; after quilting: 53 3/4 X 71.5"
Fabric: purchased, scraps, and stash
Batting: Warm 'n Natural
Quilted: on Avril
Threads: pieced with Gütermann cotton; quilted with Essential 21160 parchment; The Bottom Line in the bobbin; binding stitched down with Sulky rayon variegated turquoise
# of stitches: 111 652
Confessions of a Fabric Addict
Crazy Mom Quilts
TGIFF at Rainbows, Bunnies, Cupcakes
Busy Hands Quilts
Cooking Up Quilts
EEEP!! I just see that Myra featured Goddess Eyes in last week's linky! So now I can say I was featured on: